The Dorothy Canfield Fisher Children's Book Award

D.C.F.
2007 - 2008 BOOK REVIEWS & DISCUSSION QUESTIONS

www.dcfaward.org

About This Guide

This guide was compiled by current members of the DCF Committee and one past member.  Our intent was to provide a booklet that would support the use of the DCF program in schools and libraries.

 

For the guide to be most effective, we strongly suggest that the adult(s) supervising the program read all the books on the 2007-2008 list. Many public libraries will have the new list in and ready to go, often in a designated section, by the summer.  These excellent books make a pleasant summer diversion for adults who may be overwhelmed during the school year. No synopsis can possibly take the place of reading a book.  However, we recognize that reading and remembering the details of 30 books can be a challenge.  It's hoped that the reviews will jog your memory!

 Since many DCF readers choose and read books on their own, the intent of the questions is to promote discussion among readers of DCF books.  This dialogue can take place between student/adult, student/student or in small groups of readers.  Most, but not all, of the questions were written to promote critical thinking and to seek opinions…not “right” answers.  None of the questions was designed for purposes of assessment.

 In some schools the questions are put on strips of paper, laminated and used as bookmarks.  Each question/bookmark is placed in the appropriate DCF book.  Students are encouraged to read the questions before reading the book and consider their individual responses as the book is read.

 The generic questions at the end of the booklet can be used in discussions in which readers have read different books. They are taken from Susan Zimmerman's book, 7 Keys to Comprehension: How to Help your Kids Read it and Get it! (Three Rivers Press, 2003.  ISBN – 0761515496)

 Author websites, if available, are found at the end of the reviews. Some reviews include additional relevant websites.  If there is no web address, check the website of the publisher of the book.  Their author biographies are usually easy to access and often quite informative.  Comments and suggestions are gratefully appreciated and should be directed to: Sally Margolis – salmargo@yahoo.com.

 

TonyAbbott                                                                                              

FIREGIRL

Little, Brown, 2006. ISBN 0-316-01171-1. $15.99.  145 pages.

 

"A burned girl was in my class for a while. Once I brought her some homework. In class she said my name.  Then she was gone."   Tom's in seventh grade at St. Catherine's school with most of the same kids he's been with for a while.  So, though he's overweight and sweaty in his uniform, he isn't quite as awkward and out of it as he might be.  He has a friend, Jeff, who tells stupid jokes, hates his absent father and promises Tom a ride in his uncle's red Cobra – the ultimate vintage sports car.  Tom, whose stable family life gives him a sense of himself and allows him to think for himself, isn't quite a loner.  He does fantasize a lot about Courtney, the girl with perfect hair, perfect skin, perfect test scores who's even nice.  He assumes that some day he'll be able to rescue her from a threatening situation and be her hero. More realistically, he plans to nominate her for class president, a bold move that leaves him terrified but determined.   Into his fantasy world walks a new student, Jessica Feeney, who has moved to be near a hospital where she will receive treatment for the burns all over her body.  Her ruined face and gnarled hands horrify the seventh-graders who don't know how to cope with her presence.  Jeff's reaction is even stronger. His revulsion is so great that he refuses to hold her hand during prayers.  Tom, who lives near her, takes homework to her one day and ends up spending time in her room having a real conversation.  When he sees a “before” picture of her, it helps to put her loss in perspective.  He realizes that she is not a freak but a very brave person.  Sometimes, Jessica replaces Courtney in his fantasies and on nomination day, he tries to nominate her, but she is the only one who hears. She had nominated him.  Hers was the only vote he got since he didn't vote for himself.  

 

This short novel is about acceptance in general and the added difficulty of acceptance at the junior high level. Jessica's courage in coming to school at all and Tom's courage in befriending her are barely noticed by anyone but each other.  But each has a dignity that sets them apart from the herd.  The book has its funny moments, too.  In one of the conversations which Tom has with Jessica, he tells her about his superhero theory, that they should have small powers, dumb powers…."something really dorky and useless like, I don't know, having one indestructible finger or something."  After three weeks, Jessica must leave for more treatment and the class relaxes into its former patterns.  But Tom's life has been permanently changed and his priorities and relationships, especially with Jeff, are forever altered.

 

Read-aloud hook:  pp.21&22.  Tom is certainly not the only boy in seventh grade who dreams about Courtney, the pretty, popular, nice girl in his class.  But he certainly would never let any one else know of his fantasies.  "Of course, Courtney…….many powers that helped me in my Courtney stories."

 

Discussion questions:

  • During the time that Jessica is in his class, what does Tom learn about Jeff?
  • Most kids find it hard to break from the rest of the crowd.  Can you think of a

time when a situation seemed cruel to you and yet everyone was doing it?  This is a private question.   Were you able to object or did you go along with the crowd?  If so, does it bother you?

  • Put yourself in Jessica's place.  How would you feel walking into a new classroom?
  • Do you think it's always easy for Courtney to be popular?  Do you think she's always as confident as she seems?

www.tonyabbottbooks.com

 

M. T. Anderson

THE CLUE OF THE LINOLEUM LEDERHOSEN

Harcourt, 2006. IBSN 0-15-205352-2. $15.00.  243 pages.

 Have you ever felt like this?

I choose not to use my powers, because it would upset the balance of—good and evil.  And left and right.” (p. 73).

I am the next step in man’s evolution” (p. 56).

Sooner or later, people [will] come to their senses and work together for the perfection of absolutely everything.” (p. 77).

I’m totally tired of being chased and being hunted and picking up sticks to fight things off.” (p. 92).

 

If so, have no fear.  M. T. Anderson is here to help.  If not, how have you not died of boredom?

 

In this second of M. T. Anderson’s “Thrilling Tales,” we reunite with our heroes Lily Gefelty, Katie Mulligan, and Jasper Dash, who are taking a much-deserved weekend getaway at Moose Tongue Lodge and Resort.  For those not already in the know, the real, the literary, and the otherworldly are close companions in this series.  A host of children’s book characters has descended upon the Moose Tongue, such as the Cutesy Dell Twins, the Hooper Quints, the Manley Boys, and Eddie Wax (not to mention Katie and Jasper).  But when the Hooper Quints disappear, the search is on!  And when stuffed animal heads are “liberated” from the Lodge, the plot thickens.  Finally, when a priceless necklace is lifted from Mrs. Mandrake’s room, our trio must unravel the clues to get to the bottom of the mystery.  In short order, we meet many original characters, as well as entire crates of red herrings (p. 193).  Is it a comedy?  By all means.  Is it a mystery?  Without a doubt.  Is it original?  Yes, Yes, Yes!  Cases in point: Katie finds herself hiking up a mountain in the dark with a screaming scientist obsessed with echolocation; Jasper faces death by mucus; and Lily has spectral visions of a ghost horse.  But at its heart, and it has a big heart, this is a book about the mystery of friendship and its many powers.  “We are all lost and confused in this way, so full of longing for things: This is why we need people who solve mysteries, whether they are the mysteries of bloodstains on the carpet, or the mysteries of space, or the mystery of who we are.” (p. 240)

 

Read-aloud hook: After the Hooper Quints go missing, search parties are formed.  One of these is made up of Jasper Dash and the Manley Boys, Jank and Fud.  Start at the beginning of p. 74 for a peek into their contrasting personalities and some hilarious dialogue.

 

Discussion questions:

 

  • M. T. Anderson does his best to poke fun at a lot of classic mystery series characters.  If you could spend a weekend at a lodge with 3 characters from any books you’ve read, whom would you choose?  Why? (Characters should be from different books)
  • Choose one group of book characters that appears in Clue of the Linoleum Lederhosen. Draw the cover of what you would have their next book be.
  • In the chapter, “The Search is On!,” the author gives great advice to mystery readers.  How does he then go about trying to deceive those very readers?

Mary Jane Auch

ONE-HANDED CATCH

Holt, 2006. ISBN 987-0805079005. $16.95.  248 pages.

 

“This was the first Independence Day since the war [World War II] ended, so people were celebrating in a big way,” says narrator Norm Schmidt, 12, who is planning to set off fireworks once his day of work in his family’s meat market ends.  But then Norm’s life changes in a heartbeat when he is rushed to the hospital, his left hand accidentally crushed in a meat grinder.  M.J Auch was inspired by the experiences of her husband, Herm, who lost a hand in his youth, in portraying the challenges of Norm’s recovery and adjustment during the first year after his accident.  Simple tasks like tying shoes or using a knife and fork to cut meat are now difficult and frustrating for Norm, and his goal of playing baseball seems unattainable.  Norm is mistaken when he thinks he’ll no longer have to take out the trash.  His Mom, who understands that everything is going to be harder for him, still expects a lot from Norm.  Gradually he finds ways to adapt to his disability, and with hard work and a sense of humor, his skills and confidence grow. Even Leon, his teasing friend, shows support and encouragement under a brash exterior.

 

Over the course of the year, which incorporates many details of small town life in the 1940s, Norm attends a Boy Scout Jamboree, dresses up on Halloween, gets a new bike for Christmas, and practices his batting and pitching in the spring. He learns that he still excels in art and can even be a decent baseball player.  With creativity and hard work, he has overcome his handicap and can now do most anything.

 

 

Read-aloud hook:  p. 84 near the top - p. 87

Before reading, set the scene:  It’s the opening day of school, and Norm, who has lost his left hand, and his friend Leon are starting the day in their sixth grade classroom.  Miss Bean is their teacher.

            Begin with these words: “Miss Bean started out...”

 

Discussion questions:

 

  • Find examples to illustrate how Norm’s sense of humor is important.
  • What do you think about the way Norm’s mother treats him? Would you want to be treated like that if you were in a similar situation?
  • Can you think of a time in your own life when you thought something was impossible, but you were able to do it by persevering?
  • Why does Norm want to wear his disgusting, old bandage until it falls off?
  • Compare and contrast Norm’s two friends, Leon and Carl.
  • If a kid with only one hand wanted to be on your baseball team, what do you think your reaction would be?

 

www.mjauch.com/

 

Frances O’ Roark Dowell

PHINEAS L. MACGUIRE…ERUPTS!

Atheneum, 2006. ISBN 1-4169-0195-7. $15.95. 176 pages.

 

Avocados, yogurt, anything purple, and girls – these are just a few of the 15 things budding scientist Phineas L. MacGuire, aka Mac, is allergic to.  He’s also the self-proclaimed world’s expert on mold – how it looks (yucky) and smells (putrid).  He’s acquired this knowledge the hard way, cleaning out the family refrigerator, a veritable “museum of mold,” where all the healthy stuff rots in the back while the family eats junk food.

 

Disaster strikes just a few weeks into 4th grade, when Phineas’s best friend, Marcus, moves away.  His teacher partners him with the pugnacious new kid, Mac R., for the science fair, and Phineas sees his plans to take first prize fizzle.  He’s an expert on volcanoes while Mac R. just wants to draw dinosaurs, and that’s so 3rd grade!  How the boys resolve their differences, combine their talents and win over their classmates makes for a clever, funny and chatty narrative.  Phineas’s story sparkles with lists and guides for science experiments from erupting volcanoes to imploding marshmallows.

 

This fast-paced book is a great start to a new series, “From the Highly Scientific Notebooks of Phineas L. MacGuire.”  Its eponymous narrator is a hoot, and the short chapters and witty black-and-white illustrations make this an ideal read-aloud.

 

Read-aloud hooks:  Page 1:  My name is Phineas Listerman MacGuire…I am allergic to fifteen things.

 

Page 3:  We have made and erupted over eighty-seven volcanoes in our lifetime…to end of paragraph.

 

Page 45:  When you drink milk and start laughing why does the milk automatically squirt out of your nose?  Why do rotten eggs stink? 

 

Discussion questions:

 

  • This is the 1st book in a new series.  If you were writing the 2nd book, what would happen next to Phineas?
  • Why do you think Mac R. takes a fake name at his new school?  Why do you think he acts in such an obnoxious way towards his new classmates?
  • There is a saying, “You never get a second chance to make a first impression.”  What do you think this means?  How do Phineas and Mac overcome Mac’s terrible first impression on his new classmates?
  • Phineas tells us his story in his own words.  Pick a scene from the book and retell it from another character’s point of view.

http://www.francesdowell.com/

http://www.simonsayskids.com

 

Sarah Ellis

ODD MAN OUT

Groundwood, 2006. ISBN 978-0888997029. $16.95. 162 pages.

 

The rules seem to be clear -- after all, they are written right on the walls of Gran’s house.  It’s being demolished at the end of the summer, so twelve-year-old Kip and his five girl cousins are allowed to write on, paint over, and whack holes in any wall they like.  But Kip, who usually lives an orderly life with his widowed mom, has to work out the unwritten rules of his father’s unpredictable family for himself.

 

“Heaven on a stick” is how Gran sincerely describes the pleasure of having all of her grandchildren visiting for a month.  But she realizes that Kip may need some private space, so she cheats a little during the bedroom lottery and ensures that he wins the attic where his father slept as a boy.  So Kip has a place of retreat when the conversations of the “girlatorium” become too overwhelming, or when thoughts of his new stepfather become hard to sort out. He is taking out a wall in the attic when he discovers a binder that contains the very detailed records of something called “Operation Mitochondria.” 

 

Kip first interprets the notebook as a work of fiction created by his father. But when he reads a bit of it out loud, it literally gives Gran a heart attack.  Her trip to the hospital is the first in a chain of events that reveal that, prior to meeting his mom, Kip’s dad had suffered from schizophrenia.  But learning to deal with the interactions of Gran and the girls has helped to give Kip the mental and emotional flexibility he needs to incorporate this news into his sense of self and even manage to figure out how to embrace the possibilities of life with a new dad.

 

Even more engaging than the plot of this book are the dialogue and the interplay of the characters. Kip’s cousins are reminiscent of Hilary McKay’s Casson family -- they do not consider being ordinary, or bored, an option.  Gran encourages them to question authority, common wisdom, and nearly all the rules.  Like Gran, this book encourages the reader to consider how easy it can be to transform the mundane into the intriguing.

 

Read-aloud hook: in this passage Gran introduces Kip, who has arrived at his grandmother’s house in the middle of the previous night, to his five cousins, who are all girls: p.14 “Listen up . . .” 

 

Discussion questions:

Ÿ         Do you think Kip’s mother should have told him about his father’s illness earlier?  How might that have changed Kip?

Ÿ         What would you draw, write, or paint on the walls of your house if you could put anything you wanted to on them?

Ÿ         Gran and the girls have many family rituals -- hobo dinners, dishwashing rules, beach picnics. What new rituals might they develop when Gran moves to the city?

Ÿ         Which parts of Operation Mitochondria were based on Tristan’s real life? Which parts were inspired by his mental illness? 

Ÿ         Gran, Kip, and the girl cousins spend a lot of time discussing Rarely Asked Questions -- What is the opposite of a pillow? Who doesn’t know how to use a seatbelt? How do you get gelled hair to stand straight up? Why do you think they enjoy this kind of conversation?  Do you?


Sid Fleischman

ESCAPE! THE STORY OF THE GREAT HOUDINI

Greenwillow, 2006. ISBN 0-06-08094-4 (Tr.); 0-06-085095-I (PLB). $18.99.  210 pages.

 

A Hungarian rabbi’s son on a steamship bound for America. A starving vaudevillian stealing potatoes to feed his teenage wife. A world-class collector of antique books and papers. An egomaniac airbrushing superfluous acquaintances out of a picture taken with the President. A consummate performer whose show must go on, despite a lethal infection and a temperature of 104 degrees. Sid Fleischman introduces us to all of these incarnations of Harry Houdini, who remains to this day “the greatest magician in history.”

 

Sorting out the facts of Houdini’s life is a complex task. Houdini (born Ehrich Weiss) spent enormous amounts of time and energy creating his public image, but he was far more interested in a compelling story than in accuracy.  Fleischman presents the legends and myths of the Houdini story, but carefully compares them to the documented evidence, which often contradicts Houdini’s own assertions on stage and in print. As a magician himself, Fleischman’s tone throughout is one of complete respect, and he explains plausible, if not admirable, motives for many of Houdini’s alterations of the truth.

 

Readers who aspire to be magicians will benefit from reading about the sheer hard work that went into training for, and performing, some of Houdini’s headline acts.  They will also enjoy the numerous illustrations (some from private collections) and the bibliography, which notes which titles are the best sources for actually creating magic tricks.

Read-aloud hook: p.57, “Houdini caught onto the secret of fame.. " This passage describes a point early in Houdini's career when his genius at manipulating publicity began to catch up with his genius as an escape artist.

Discussion questions:

 

Ÿ         Even though Houdini is clearly a hero to Sid Fleischman, he understands, and writes about, his hero’s flaws.  What are Houdini’s most admirable characteristics?  Most regrettable ones?

Ÿ         What are some of the methods Ehrich Weiss used to control how he appeared in the media of the time?

Ÿ          Early in his career, Houdini worked as a Spiritualist, performing séances and even opening a school to teach others how to fool clients into believing that they had spoken with lost loved ones. How did his attitude towards Spiritualism change later on?

Ÿ         Which of Houdini’s tricks would you most like to learn?  Where and when would you like to perform it?

Ÿ         In Chapter 3, Fleischman discusses how empowering it can be to learn magic.  Why do you think magic tends to attract unpopular, non-mainstream individuals?

 

The site www.sidfleischman.com  includes instructions for performing a card trick.

Sid Fleischman

THE WHITE ELEPHANT

Greenwillow, 2006. ISBN 0-06-113136-3. $15.99.  95 pages.

 

“There, in old Siam, do you see the boy with dirty ears sitting proud as a prince on the tall old elephant?”  With that opening line, Sid Fleischman invites us into a trickster tale that is at once ancient and original, both timeless and redolent of the particular scents and sights that set apart “old Siam.”

 

The poor young elephant trainer Run-Run finds himself at the mercy of his prince one day when Run-Run’s venerable elephant, Walking Mountain, chooses to empty a trunk full of water on the humorless monarch.  The Prince surprises Run-Run by sparing his life and giving him a gift.  Alas, it is a gift that is also a curse:  a sacred white elephant that is not allowed to work for its keep, as ordinary, hay-gobbling elephants must.  It is a gift the penniless Run-Run cannot afford – but dares not return to the giver.

           

How Run-Run saves his own skin while honoring the sacred needs of the pale pachyderm will have the downtrodden everywhere cheering. The secondary story of Run-Run’s search for the one-eared tiger who killed his mother is incorporated seamlessly and adds just the right thrill of danger.  With soft illustrations, a straightforward, well-spaced text and a hero whose heart is as big as the elephants he loves, this one will appeal to all.

 

Read-aloud hook:  Page 5:  For the general flavor, start with “Elephant boy!” and end near the top of page 7 with “To the river, magnificent one!” (Or, to leave listeners in suspense, continue one more short page to the end of the chapter: “How was Run-Run to know?”)

 

Discussion questions:

 

  • When Run-Run first meets the white elephant, Sahib, he looks down on him as a useless, pampered creature.  By the time the prince decides to take Sahib back, Run-Run has come to love him.  What happened to change Run-Run’s mind?
  • Run-Run is a very poor boy at a time when one’s wealth was believed to be a measure of one’s worth.  What are some of the ways Run-Run keeps his dignity in spite of his poverty and the prince’s cruelty toward him?
  • The elephants, of course, never speak a word in this story.  Both Walking Mountain and Sahib are full-fledged characters, however, with distinct personalities.  What are some of the ways author Sid Fleischman shows us who these two elephants are?
  • The phrase “white elephant” comes from the incident that inspired this book, in which a real king gave a member of his court a sacred white elephant, knowing its upkeep would ruin the man financially.  The term is still used today to describe a burdensome object.  Think of other expressions we use, and talk about how those phrases might have come to be (like “Let sleeping dogs lie.”).  Consider writing your own folktale to explain it!

 

www.sidfleischman.com

 

 

Susan Fletcher   

ALPHABET OF DREAMS

Atheneum, 2006. ISBN 0-689-85042-4. $16.95.  294 pages.

 

Ancient lands - Desert caravans - Spies - Treachery - Dreams - An infant king.  These elements are all part of this richly descriptive tale of adventure, danger and hope set in Persia at the time of the New Testament.  Mitra, 14, and her little brother, Babak, 5, are of royal blood. Their father was killed for plotting to overthrow the evil King Phraates, and the children are now refugees, fleeing from the “king’s Eyes and Ears” who would track them down.  Mitra, the narrator, has disguised herself as a boy called Ramin and is very protective of Babak, whose delicate health makes precious his dreams which hold the rare gift of prophecy. 

 

One of Babak’s dreams, which describes a wandering star and the birth of a king, attracts the interest of three Magi - Balthazar, Gaspar, and Melchior - three distinct and somewhat competing personalities, who take the children on a journey by caravan toward Bethlehem.  Along the way, the children are captured by spies, escape, and then are saved from an underground waterway by a rustic young man named Koosha.  When the Magi arrive in Bethlehem to find “a carpenter’s baby in a tiny limestone dwelling in a backwater village of Judea,” Balthazar confesses, “I am mystified as to how to decipher God’s alphabet writ across the heavens.”  Although Mitra had dreamed of returning to their noble kin in Palmyra, she learns they are all dead.  And now Koosha, who saw through her disguise, has come to find the girl.

 

An author’s note at the end provides excellent background information in question and answer format. 

 

Read-aloud hook: From the middle of p. 73 to the break on p. 76.

Before reading, set the scene and explain the following: Babak has been stolen away while Mitra slept. He’s been sold to a Magus heading west by caravan across the desert.  Mitra, desperate to find her brother, sets off in pursuit, holding the kitten named Shirak and riding the old donkey Gorizpa.

 

Discussion questions:

 

  • There are a lot of issues around trust in this book.  Whom can Mitra and Babak trust? Have you ever trusted someone who let you down?
  • If you were Mitra, would you have used Babak’s dreams for financial gains?
  • How are animals treated in the book?
  • Compare and contrast the three magi. If you had to choose one to spend time with, who would it be?
  • Did you know this was going to be about the birth of the baby Jesus? When did you figure it out?
  • How did the author make you feel like you, too, were in the desert?
  • Would you have liked to live in this time period and place?

 

www.susanfletcher.com/

 

  

Russell Freedman

THE ADVENTURES OF MARCO POLO

Scholastic, 2006. ISBN0-439-52394-X. $17.99.  60 pages.

 

According to Coleridge, "In Xanadu did Kubla Khan a stately pleasure dome decree.”  Stately it certainly was, and more, and Marco Polo was there to see.  Or was he?  Whether Marco Polo actually traveled to China and spent several years as an honored guest and possibly a government official in the courts of Kublai Khan, or whether his insatiable curiosity and vigorous storytelling allowed him to internalize and synthesize all that he learned during his travels, his stories of the mysterious East were one of the primary influences which inspired explorations along the route of the Silk Road and brought knowledge of the area to Europe.  He was the first great travel writer, aided by a man he met in prison after he returned from his travels. Russell Freedman draws a lively picture of the Polo family's life in Venice and the travels of Marco with his father and uncle.  But it is the chapters on Kublai Khan and his impossibly luxurious life, a life that included benefits for all the people of China, which makes this a riveting story.  The book opens when Marco is on his deathbed and members of his own family are begging him to recant many of his tales of adventures during the 24-year, 6500-mile journey to and sojourn in Kublai Khan's court.  The book is a work of art as well as an analysis of the truths in Marco Polo's accounts.  Thick creamy pages simulate parchment.   The illustrator, Bagram Ibatoulline, has based his paintings on various European and Asian styles of the time.  His own works are augmented by medieval illuminations from several editions of Marco Polo's story, The Description of the World or The Travels of Marco Polo.  The combination of story and art, including helpful painted maps delineating the journeys from and to Venice, make for a rounded reading pleasure.  There's plenty of information here, but it's never a dry history text.  Did he or didn't he?  On his death bed, all he would say is, "I have only told the half of what I saw."

 

Read-aloud hook:  pp. 29-33.  The riches of Kublai Khan were astounding.  Here is a description of life in his palace followed by some of his socially enlightened practices.  "As the Khan's guest…they may do whatever they please with their souls."

 

Discussion questions:

 

  • Would you want to live as Kublai Khan did?  What part of his life appeals to you and what do you think you would hate?
  • Do you think Marco Polo really ever got to China?  Why?
  • Kublai Khan may have been a rich ruler but he also started reforms in China that made the lives of common people much better than they were in Europe.  Read the passage that starts on page 31.  Which of his many changes: education, health care, religious freedom seems to you to be most important?  Do you think they lasted?
  • What if Marco Polo never saw China and actually made it all up?  Would his stories have any worth?  Why or why not?
  • Are there more worlds to explore?  If you were Marco Polo, where would you go today?

 

 

Isabella Hatkoff, Craig Hatkoff, & Dr. Paula Kahumbu

OWEN & MZEE: THE TRUE STORY OF A REMARKABLE FRIENDSHIP

Scholastic, 2006. ISBN 0-439-82973-9. $16.99.  40 pages.

 

Imagine a friendship between a 130-year-old tortoise and a baby hippo.  It sounds like a fable or a fairy tale.  But the story of Owen the hippo and Mzee the tortoise is absolutely true. 

 

In December 2004 a violent storm called a tsunami flooded the Sabaki River in Kenya, east coast During the storm a baby hippo was separated from his family and stranded on a coral reef.  Many brave people tried to rescue him until finally one man named Owen successfully tackled him.  The 600 -pound hippopotamus was named in his honor and taken to live in the Haller Park animal sanctuary near the city of Mombasa, Kenya.  Once there, the frightened baby hippo immediately moved toward the other inhabitant of his enclosure, an ancient Aldabra tortoise, Mzee, whose name in Swahili means “wise old man.” At first, Mzee wanted nothing to do with Owen, but Owen persisted.  As BBC photojournalist Peter Greste’s pictures powerfully illustrate, the two became inseparable buddies, eating together, swimming together, and even sleeping together.  Although scientists speculate as to the reasons for this unexpected closeness between a mammal and a reptile, no one really knows what bonds Owen and Mzee.  What we do know, however, is that they have a remarkable friendship. 

 

Isabella Hatkoff was 6 years old when she learned the story of Owen and Mzee.  She was so curious that she began e-mailing her questions about this odd couple to Dr. Paula Kahumbu at Haller Park.  Isabella’s dad, Craig, got involved, and the 3 of them published the story of Owen and Mzee as an e-book on the Internet.  Soon it was printed and published by Scholastic. 

 

Read-aloud hook:  “Our most important friends are sometimes those we least expect.”  Last sentence on the page facing the picture captioned, “Mzee and Owen play ‘follow the leader.’”      Just about any picture in the book is sure to hook young readers!

 

Discussion questions:

  • If you were going to write a sequel to this book, what would happen next to Owen and Mzee?
  • Draw a picture for the story.
  • One of the reasons that the friendship of Owen and Mzee is so surprising is the fact that they are so different.  How are Owen and Mzee different?  In what ways are they alike?
  • How do Owen and Mzee help each other?
  • What are some of the themes of the story (e.g. friendship, helping others, community) and where do these themes appear in the story?  Do you believe that these themes are important in your own life?  Why?  Why not?
  • What do you value most in a friend?  What makes you a good friend?
  • What feelings does this story give you?
  • Isabella’s curiosity about Owen and Mzee led her to learn more about them.  What is something you are curious about?  How could you learn more about it?

 

 

OFFICIAL WEBSITE:  http://owenandmzee.com/omweb/

Other websites of interest:

www.lafargeecosystems.com

http://news.nationalgeographic.com/kids/2005/03/owen.html

Will Hobbs

CROSSING THE WIRE

HarperCollins, 2006. ISBN 0-06-074138-4 (Tr.); 0-06-074139-2 (PLB). $15.99.  216 pages.

 

On a bus pulling out of Salao, Mexico, Victor Flores cries at the first notes of “Camion de Guanajuato.”  The song represents all that he loves about his tierra, his land, and all that he is leaving.  At fifteen, Victor is going north, following in the footsteps of his late father and so many other men from his village, to cross illegally into the United States.

 

Will Hobbs, author of many a good survival story, turns his keen eye to an international debate over 150 years old.  Discussions of subsidies, “free” trade, border vigilantes, and international competition can sometimes make for dry reading.  But in Hobbs’ hands, these issues propel Victor over the edge of desperation.  When he leaves home, we know he does so with a heavy heart, not with swashbuckling dreams. 

 

In his final attempts to help his family, Victor encounters great kindness and inhuman cruelty.  He finds himself in hospitals, police stations, and toolboxes.  He lounges in a Chevrolet Suburban, he sleeps in a bullfighting arena converted for the homeless, and he tries and tries again to cross the border.  As he discovers, crossing is easy, but staying is difficult.  Through the trials of Victor, his friend Julio, the old lobo Miguel, and Victor’s best friend Rico, Will Hobbs personalizes the issue of illegal immigration, taking it off the headlines and putting it in our hearts.

 

Read-aloud hook:  Victor and his friend Julio arrive in the border city of Nogales.  The following passage gives a good sense of the desperation to which many immigrants are driven.  Start at: “The fourth day in Nogales,….”  End at, “In seconds, without a look back, he disappeared into the blackness.” (pp. 76-78).

 

Discussion questions:

 

  • There is no easy way for Victor to get over the border.  Why not?
  • Have you ever wanted something so badly that you kept trying over and over to get it?  Did how much you wanted that thing change over time?
  • Will Hobbs fills Victor’s story with many examples of economic irony.  What purposes do these examples serve? 
  • Choose a couple of the sayings from Victor’s father to try to describe the kind of man he might have been.  Now choose a couple sayings (any) to describe the kind of person you are, your teacher is, or your best friend is.
  • Will Hobbs has obviously done his research on the issues his characters face.  Can you find any real-life examples of these issues from newspapers and magazines?

 

http://www.WillHobbsAuthor.com

 

Cynthia Kadohata

WEEDFLOWER

Atheneum, 2006. ISBN 0-689-86574-9. $16.95.  216pages.

 

Sumiko is a 12-year-old girl living in California in the 1940’s, at the time of the Pearl Harbor attacks. Her life has been filled with events both happy and sad. She and her younger brother are orphans living with their aunt and uncle on a flower farm. Sumiko is always content to be amongst the flowers. Now she is thrilled to have been invited to a birthday party, only to be uninvited the moment she arrives--gift in hand. Her hasty departure is based on the fact that she is Japanese American. But this is nothing compared with the feeling of having to leave her home and move to a new place, somewhere the government has decided that everyone with her ethnic background should live.

 

Life in camp takes a bit of adjusting for everyone, her brother, aunt and cousins. But Sumiko makes the best out of a bad situation. She helps a neighbor start a garden and makes friends with Frank, a Native American boy from a nearby reservation. Throughout it all Sumiko is a girl with wishes and dreams, a girl who is able to make friends despite bleak situations. This hope filled novel is a chance to look at a time period of different cultures living side by side, the ups and downs of contained living. This is a novel that will inspire you to ask, “What if this happened today, who would I be?”

 

Read-aloud hook:  Leaving everything behind reads like this: ‘On the day they left their house forever, Sumiko put on her mint green school dress. She went outside to see everything for the last time. She wanted to sit among the kusabana, but didn’t want to dirty her dress.  ………. The kusabana already seemed a little unruly, and the bathhouse seemed foreign. The shed just made her sad.’  pp 78-83

 

Discussion questions:

 

  • Sumiko is invited to a birthday party, and then asked to leave because she is a Japanese American. If you were in Sumiko’s situation, what would you say? Would you ask for the present back?
  • Have you ever had to leave everything behind? If you had to go for some reason, what would you take?
  • One night at camp, Sumiko takes off with some other children. Would you have gone with them? Would you have been able to pluck the stolen chicken? How did you feel when the children buried the bird?
  • Sumiko focuses on the garden while she is at the camp; she and Mr. Motot even win a ribbon. If you were in her situation what do you think would make you happy? Friends? Writing letters? Reading?
  • Though the Japanese Americans have been forced to reside in the camp, they have electricity while the Native Americans do not. Have you ever had something while someone else has had to do without? How did it make you feel?

 

  www.kira-kira.us/

 

Watt Key

ALABAMA MOON

FSG, 2006. ISBN 0-374-30184-0. $16.00.  294 pages.

 

As ten-year-old Moon’s father lies in the woods dying of complications from a compound fracture, he urges his son to flee from Alabama to Alaska.  There will be other folks there who understand you can’t trust the government, he explains to his son.  Moon, who has been hiding in the woods with his war-damaged, survivalist father since infancy, pledges to undertake the journey.  He never makes it to Alaska – in fact, he never even makes it out of Alabama, but he travels farther on his emotional journey than some adults ever do. 

 

After a decade of solitude, Moon quickly encounters virtually ever slice of humanity possible.  There’s the sadistic bully who wants to lock him up, Constable Sanders. (Sanders is so terrible even his own bloodhounds defect to join Moon, and the outcome of Sanders’ moment in court will be very satisfying to readers.)  There are Moon’s fellow escapees from the Pinson juvenile home, the rough-edged Hal and the delicate but loyal Kit, as well as Hal’s perpetually drunk but endearing father.  The outdoor survival details are numerous and vivid, and Moon’s introduction to civilization is not to be missed (he is quite possibly the only boy ever to find institutional food a culinary delight).

 

By the end, Moon comes to the realization his beloved father was wrong:  he does need people, and some of them can even be trusted.  As painful as Moon’s journey is, he would not have missed meeting his fellow travelers for the world – and the reader will feel the same.

           

Read-aloud hook:  Page 22 and 30-31:  Moon’s father had told him to avoid people and to write “smoke letters” if he got lonely, letters that he would write and then burn in the fire.  These are Moon’s first two letters to his father after his death.

 

Discussion questions:

 

·        At the beginning of the book, Moon tells people, “ Sure I know how to read. I can whip somebody three times my size, too.  And I know everything I need to know to live on my own.”  After escaping from Pinson with Hal and Kit, Moon learns a few more things.  What else does Moon learn, and how does that change how he lives? 

·        Moon’s life is vastly different from our world of electronic devices and convenience food.  Assuming you learned how to feed and clothe yourself, could you survive in Moon’s world?  Would you miss people?

·        Think about other books in which the protagonist must live on his own; Gary Paulsen’s Hatchet and Jean Craighead George’s My Side of the Mountain come to mind.  What are some similarities and differences between those characters and Moon?  In Hatchet, Brian is forced into a wilderness existence after a plane crash; in My Side of the Mountain, Sam runs away from civilization to seek nature.  How does that make their outlook different from Moon’s, who had known no other way of life?

 

www.wattkey.com 

 

Mark Kurlansky

THE STORY OF SALT

Putnam, 2006. ISBN 0-399-23998-7. $16.99.  48 pages.

 

“Please pass the salt.” “She’s the salt of the earth.” “He’s a salty dog.” “Take it with a grain of salt.”  We take this common and inexpensive compound very much for granted.  But in The Story of Salt author Mark Kurlansky carries us on a fascinating journey into the history of salt and, in fact, uses salt as the lens through which readers get a very different view of history.  Based on his adult nonfiction book, Salt:  A World History, this handsome, well-illustrated adaptation contains fascinating facts about history, science and technology for middle graders.  Beginning with a personal anecdote, Kurlansky’s informal narrative is filled with information, from the chemical makeup of salt to its use in preserving everything from meat to mummies, to the fact that salt is the only rock human beings eat and that we need to eat it to live.  Sidebars are scattered throughout the text.  They include ancient recipes for soy sauce and ketchup; words based on the Roman word for salt; and the link between salt and the discovery of purple dye.  Schindler’s ink and watercolor illustrations create historical settings while also adding humor to aptly amplify the text.  One dramatic illustration shows Mahatma Gandhi leading thousands on his famous Salt March to the Arabian Sea in protest against being forced to buy salt from the British.